Review in Dark-World.ru

Review published in Dark-World.ru in March, 26, 2014. Language: Russian.

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New song: Sola Dryas

Some months ago we were invited to participate in Ragnarok Sampler, organised by Radio Body Music. The sampler is about Norse Mythology or similar (ancient myths, greek gods, etc.), so this is a composition about Dryads with which we’ve participated. Hope you like it!

Sola Dryas music video:

Credits:

Music, lyrics: Olga
Oboe, flutes: Carmen
Latin translation: Blanca
Composed and recorded by Olga in 2014, March

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Wolfhall: Vitae Proelium Review

Review published in Wolfhall, in December, 2013. Languages: German & English.


Wolfhall: Aura Noctis – Vitae Proelium (English)

Album Rezension, Jan. 2013 | Album review, Jan. 2013

After ‘Itineris I’ dating from 2011, now the second album by the female Spanish duo is out, noticeably matured and more clearly focused. Expect an excellent blend of ‘Ethereal’, Medieval and ‘Neoclassical’. The skilled use of acoustic instruments is obvious, only towards the end spheric synthie-sounds are incorporated. That is the main difference regarding the first album, where keyboards have dominated. The vocal parts are particularly charming. Solos, duets or pieces with a Gregorian touch sung by the two. In addition they play the piano and cello. Guest musicians were signed on for flute, oboe and percussion, all deliver a fabulous job. The title song of the album, ‘Vitae Proelium’ (lat.): ‘Battle of Life’ is the most prolific.

About half of the tracks are instrumental, supposedly they were meant for loosing up, or just to round off the CD. But this remains the only thing to complain. Enchanting highlights are undoubtedly the pieces featuring vocals, I demand more of those on the upcoming release.
The mastering was done by the boss of the French label Prikosnovénie, which was a pretty good deal for them.

Fenris W.


Wolfhall: Aura Noctis – Vitae Proelium (German)

Album Rezension, Jan. 2013 | Album review, Jan. 2013

Nach ‚Itineris I‘ aus dem Jahr 2011 kommt nun ein deutlich augereifteres, akzentuierteres zweites Album des weiblichen spanischen Duos. Den Hörer erwartet eine exzellente Mischung aus Ethereal, Mittelalterlichem und Neoclassical. Der Umgang mit den akustischen Instrumenten ist gekonnt, lediglich gegen Ende erklingen noch Synthie-Flächen im Hintergrund. Das macht den Hauptunterschied zum ersten Werk aus, wo Keyboards dominierten. Insbesondere die Gesangsstücke sind sehr reizvoll angelegt. Solos, Duette oder gregorianisch angehauchte Partien von beiden Sängerinnen. Außerdem spielen sie Klavier und Cello. Für Flöte, Oboe und Schlagwerk wurden Gastmusiker gewonnen, die ausnahmslos eine versierte Arbeit abliefern. Der Titelsong des Albums, ‚Vitae Proelium‘ (lat.):‚Kampf des Lebens‘ ist wohl das gelungenste Stück.

Ungefähr die Hälfte der CD sind instrumentale Titel, vermutlich waren sie zur Auflockerung gedacht, oder damit die CD voll wird. Ansonsten kann man den Künstlern wenig ankreiden. Bezaubernde Höhepunkte sind zweifelsohne die Stücke mit Gesang, davon wünsche ich mir noch mehr wenn die nächste Veröffentlichung ansteht.
Das Mastering der Produktion wurde vom Chef des französischen Prikosnovénie Labels übernommen, bei dem sie sichtlich in guten Händen waren.

Fenris W.

Interview in Tironas Magazine

I recently recieve the second issue of “Tironas”, a Lithuanian underground music magazine, in which I participated answering some questions. Here is the text of the article & interview:


Tironas Magazine Interview Aura Noctis

Aura Noctis is a project that for some unknown reason alluded my attention for far too long. All I can say is that after finally tracking down one of their releases I became an almost instant fanatic for their highly unique soundscapes. Olga the creator and driving force behind the project answered some of my queries.

What was your musical journey that lead to your interest in and ultimate recording within an underground culture of neoclassical/darkwave music?
Neoclassical / Darkwave is surely one of my favourites music genres. I also like very much other styles such as film music, new age, piano solo, and classical music. In general, I like the music that expresses deep feelings, having a special preference for sad music, and I think neoclassical style is in accordance with that.

For a brief history was Aura Noctis your first project?
Yes, Aura Noctis is my first (and at the moment, only) project. It was set up in 2006. For some years, I was just composing, creating and uploading songs to the internet. At first I didn’t think about signing a label, I was happy just making music, although I was looking for a female vocalist and musician to share my project and be able to play live. When my fellow joined, some years after, that was a boost for us to look for and sign a label because she was looking forward to it, and being two, we could consider live performances.

Why the band was named Aura Noctis? What does the monicker mean? Who is the leader of the band?
Aura Noctis means in Latin something like the “The aura (ambience, atmosphere) of the night”. I chose that name because I think it fits the music (it inspires softness and darkness), and of course because I like it, both its sound and its meaning.
It’s not exactly a band, I think it’s more accurate to consider it as a project. It’s me (Olga) who produces the music and the rest have helped or collaborated somehow, providing some ideas, writing some lyrics, or just playing live…

There is not so much info about Aura Noctis? Do you try to avoid a greater emphasis or there is another reason? Tironas Magazine Interview Aura Noctis
Maybe… One reason could be that I like to just focus on the music itself. For me it’s not very important all the accessory information, including image, which is considered so much important in society. According to this, I aim to be liked just for the music.
But in fact I don’t try to avoid giving info either. It’s also a matter of lack of time. Updating the site more frequently and including more info (among other things) are things in my plans.

Aura Noctis is completely young band in the underground scene but already has a number of achievements? How would you describe your popularity?
I’m not sure how to evaluate that, but I don’t think we have much popularity. People who like this kind of music are a minority. Getting to them is not easy and takes quite a lot of time. But whatever we’ve achieved, for me it’s great.

Is the music your main activity or you have any other interests except playing music?
Music is my main interest but not my only activity (I wish it was!), I combine a full-time job with official music studies (Professional Degree in Music), and with my musical project. That’s why I have lack of time, as said in question 4 😉

According to the information on webpage you’d released 2 full length albums and one MCD since 2011. Are you satisfied with your performance or would you like something to change?
Some aspects surely could be improved and I’m always willing to improve. But at the same time, I’m satisfied, because I think that the music is enjoyable despite that both albums have been recorded and produced with very little resources.

What does it make influence to your creativity period? (Time of the year, mood, and so on)
For me, creativity is not related with external or even internal circumstances. It’s like an impulse inside you and it’s always there. You just need some time to dedicate to be able to develop it.

What does it make influence to your songs? Where do you get the ideas for your songs?
I feel that the ideas come to me, not that I get the ideas from anywhere. Usually they come when I’m playing the piano. But time and much work is needed to materialize those ideas in songs.

Could you tell us about your releases “Vitae Proelium” and “Itineris I”? What are the main concepts of these releases?
“Itineris I” was my first work (as a full length album), but as the songs had been composed previously, they were designed with the possibilities I had at that moment (only virtual instruments or synths) So, “Itineris I” was recorded mainly with virtual instruments, with the only difference of including a cello. In “Vitae Proelium” they (virtual instruments) helped too, but I tried to get the most of the people that had joined the project, so it contains good few real instruments: percussions, flutes, oboe… That may have slightly changed the style. Particularly percussion sounds much more powerful. I much prefer to use real instruments, but perhaps the style was better before.
Itineris I was conceptualized as an internal journey through emotions. In fact, that’s what music is for me. And Vitae Proelium is about a battle of existence, seeking to achieve harmony with nature and with oneself.

Is the release “Vitae Proelium” an extension of previously released “Itineris I”?
No, they’re completely different. The songs contained in “Itineris I” had been composed spontaneously, without purpose, throughout previous years and were gathered on the album, whereas most of the songs in “Vitae Proelium” were composed more recently (and some of them rapidly) for the album.

According to your opinion which of the album has more followers for your music? How would you comment that?
I’ve read a couple of opinions from people that like “Itineris I” more than “Vitae Proelium”, but that’s not necessarily representative. In fact, I don’t know and I would like to.

Your two albums have issued two different records companies. Could you comment that?
That was not exactly what I wanted. I tried to release the second album with both labels.

How often your points of view in the result of your creativity differ with the records company view?
Fortunately, that does not happen with independent labels. They release your work because they like what you create. They don’t intend to modify your work to create a commercial product to sell as much as possible, but to release something they think it’s worth, and that’s why they’re called indie, I think. I’ve not had any problem with this issue.

How would you describe your music genre? What makes your music distinct from the similar genre of music?
I’m not sure how to characterize the music genre because the artists considered as “Neoclassical / Darkwave” are quite different from each other. The use of angelic female voices is common (but some use dark male voices, i.e. Arcana). The same happens with the use of classical instruments (some use only synths). About what makes my music distinct, a very dear fan told me this: “You know what I find especially at Aura Noctis? While retaining the melancholy, sadness and despair (can not make dark neoclassic or darkwave music without these ingredients), has added some romance, sensibility, feelings. Sounds like a music that comes from the soul.”

What musical groups/scenes, writers, philosophers have played a role in the shaping of Aura Noctis as we hear it today?
I could mention many, but I prefer to refer only to one from each, that has been special for me.
Band: sToa
Writer & Philosopher: Miguel de Unamuno

Given the images you have used on your releases have a nostalgic and mourning focus. Could you comment that? Do the images you have used reflect a deeper meaning other than for their aesthetic appearance?
We try that images represent the music in some way, not directly or literally, but regarding feelings and mood. The meaning is the same as the music.

What future items are currently in the workings, be those for Aura Noctis and which labels are they destined to be released on?
I’m not sure, things are always changing. This project changed a lot and I was not happy with some of these changes. At some point I stopped liking our live sound. Percussion started to sound too much powerful when we incorporated a floor tom. My fellow liked it, but I didn’t, so I decided to stop sharing the project with anyone who wants something different than what I want. Then, possibly I will continue the project alone. Also, it is possible that I create another project. Or both things at the same time. Lately I like instrumental music more than vocals, so creating an instrumental music project could be a good idea for me.
Anyway, I’m always creating music, although I can’t always produce (albums, songs) as fast as I would like, because much time is needed, But, what is certain is that I will continue making music, one way or another, whether in this project or another. And that’s what matters. Music, always 🙂

What would you like to wish to the listeners and readers?
I wish everyone can find the music they love. Sometimes that takes a long search. As Frank Zappa said, “the mainstream comes to you, but you have to go to the underground”. I wish that each person can develop their own musical preferences, and dare to give feedback to the artists, it would be very nice if there was a closer interaction between listeners and artists.

Attich Ebulum Compilation

On october, 31, Attich Ebulum was released by the netlabel Santa Sangre.

It’s a compilation including 41 tracks, featuring female artists & projects in the worldwide alternative underground, in genres like darkwave, ethereal, ambient, neofolk, etc. Project is dedicated to Sidonia von Borcke and women in contemporary underground & alternative music. I was invited and participated with my song “Esperar la Esperanza”. All proceeds from the purchase of this compilation will be given to the Polish charity foundation Koci Pazur – Cat’s Claw. More info & available in Bandcamp.

Heathen Harvest: Vitae Proelium Review

Review published in Heathen Harvest in June, 16, 2013, about our album Vitae Proelium. Language: English.


Aura Noctis is a band that has somehow eluded me throughout my musical journeys above and beyond. Twice before have they been reviewed on The Harvest, and both times I was brooding away on some black metal barbarism or introverted space ambient, but this third time is a charm and now I finally have the chance to review their latest album, Vitae Proelium. Aura Noctis is a neoclassical act that started out with Olga on piano and Pilar on cello while both added vocals into the mix. In Vitae Proelium, the ranks have been bolstered by Rubén on flutes, drums and vocals, Fernando on drums and Carmen on oboe. Plenty of neoclassical bands have a tendency to use way too many synthetic instruments in their music ending up with songs that sound partially monotonous and lifeless. Sometimes the use of synthetics might be charming, and I admit that my own opinion on black metal bands such asSummoning have gone from adoration to mediocrity due to the synthetic sounds becoming too clean, but here the purity of sound works on a whole different level and really brings forth the life of the songs.

The album starts slowly with “Windtro” being a slow and serene story filled to the brim with both melancholy and beauty. The album quickly gains some pace however and really starts to bloom in the title track “Vitae Proelium” with its slow but steady drumming and ominous voices that bloom out in solemn voices over a sweet melody of flutes. The album continues to evolve with the minimal and heavenly “El Cantar de las Hojas” which masterfully manages to blend vocals, flute and piano together in an effortlessly exquisite way. “Inner Chaos”, on the other hand, is more of a hefty and rigorous composition with a harder, more distinct sound — the complete opposite to the rather serene introduction. The album continues this journey between the blissful and the rough within a balance that is uncanny in many ways. This is an album bristling with diverse and varied content that spans from the enchanted “Arevaci”, which conjures imagery of faery feasts in forlorn parts of the woods, to the sad and melancholic atmosphere of “Un Lugar” with its sweet Spanish vocals that truly lift it above and beyond.

Vitae Proelium is truly a strong album and the combination of fine artistry and marvelous compositions really nails this album down as one of the best neoclassical albums of the later years. Not only does it manage to feel fresh and exciting in a scene that has, for some time now, not really done much to reinvent itself. The instruments really breathe life into each and every song of the album, and the production is excellent. This is truly a musical hydra with many different heads, each singing its own song from the depths of a shared soul. In the end, this album has been a pleasure to encounter and I give it my deepest recommendation. Vitae Proelium is a dream distilled into music and it will surely linger in my soul for many years to come.

_Track List:_

01) Windtro
02) Vitae Proelium
03) El Cantar de las Hojas
04) Inner Chaos
05) Dances of the Soul
06) Amissi
07) Frater Mortis
08) Lautir
09) Arevaci
10) Verna
11) Un Lugar
12) Quimera
13) Omnia in Anima Manent

Rating: 5/5
Written by: Skarsnik
Label: In the Morningside Records (Spain) / MORNING019 / CD
Neoclassical